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Showing posts with the label don knotts

for a short person, you have long sentences

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Maybe it is because I am old, or because this apartment is often quite noisy, or just because, but I like having subtitles turned on when I watch movies, especially when I'm writing this blog. The Private Eyes ' DVD has no subtitles. And, tonight, I've got a commentary track playing--costar and cowriter Tim Conway and director Lang Elliott--and can barely hear the dialogue from the movie. Fortunately, I have seen this movie so many times that I know the dialogue anyway. Lots of talk about the Biltmore House to start. Then, some talk about the car--I'm fairly sure Conway is kidding, but he implies that they didn't tell the car's owner they intended to crash it into the water. A bunch of things right away that are in the IMDb trivia section--stunt guy nearly drowned when that car was stuck in the mud, a valuable book went missing from the library and the FBI got involved. Perhaps once we're past the opening credits, there will be more interesting insights. C...

you better lock all your windows and screens

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(Note: in the chronological order of this childhood deconstruction, The Private Eyes should have been several movies ago. I borrowed the DVD from my sister, set it aside and forgot to put it in its place. So, I will end my 1980 movies with this one from April of that year. A movie I have seen far too many times. And, not enough.) I have often heard that the most accurate medical tv shows were comedies like Scrubs , the most accurate cop shows comedies like Barney Miller . Is it any wonder that The Private Eyes actually has as good a mystery at its center as many dramatic mysteries, and despite its bumbling heroes, makes pretty good sense along the way? It opens with a murder, of course. And, despite the bickering between Lord and Lady Morley (Fred Stuthman and Mary Nell Santacroce), there isn't any immediate hint that this is a comedy. Then there is the overly long animated sequence with the opening credits that makes it clear this isn't a serious film (but I wish t...

he came out west on a northbound train

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I've read in more than one place that Barney Miller was the most realistic cop show and Scrubs was the most realistic medical show. So, I come into the comedy The Shakiest Gun in the West with high hopes, looking for a deconstruction of the genre, touching on common tropes and putting a light on them by making fun of them. I hope. (Haywood (Don Knotts) offers up a graduation speech--he's graduated from a dentistry school and is going to head into the west to practice there--and reminds me that I should share this: Nothing to do with this month of Westerns, of course, but as you should know if you're here this blog was all about Groundhog Day for the first year, and I still come back to that film once a month. That right there was my cap today for graduation. Technically, I won't have my Master's degree until I defend my thesis in the fall but I participated in the ceremony now rather than wait until next June. All my coursework is done. So, there's no...