a full measure of life

-

The question then: why does something like Highlander II happen? The explanations have been offered of course, stuff like economic collapse in Argentina just as production was underway there, for example. But, that is just an explanation for or why some of the awfulness exists. Obviously, there was some initial script, before there were money problems or investors taking over problems, and that script included aliens from the planet Zeist, and that script ignored a great deal of the original. What kind of cynical Hollywood puts this kind of thing together and ever thinks it's a good idea? Or does it think it's a good idea, at all? Is it just after money? Is it simply Hollywood banking on the familiarity of a name?

Regarding that last question, I got curious. For anyone to think you could bank on the Highlander name (for anything beyond a syndicated late night tv series, as Highlander would have a year after the awful sequel), science fiction and fantasy had to be doing particularly well at the box office, one would think. To start, Higherlander II was #3 it's opening weekend. #1 that weekend was Wes Craven's The People Under the Stairs, horror, with some expected audience overlap. Curly Sue was #2 in its 2nd weekend. The Fisher King, which definitely appeals to a fantasy audience, was #9 in its 7th weekend. Terminator 2: Judgment Day, science fiction but with some mass appeal (back to that in a moment), was #14 in its 18th weekend. (I saw all these movies in the theater, of course.)

Terminator 2 would be the #1 movie of the year. Behind it, the pseudo-fantasy Robin Hood: Prince of Thieves, then the animated fantasy Beauty and the Beast. In fact, the top ten for 1991 was remarkably nerd-audience friendly:

  1. Terminator 2: Judgment Day
  2. Robin Hood: Prince of Thieves
  3. Beauty and the Beast
  4. The Silence of the Lambs
  5. City Slickers
  6. Hook
  7. The Addams Family
  8. Sleeping with the Enemy
  9. Father of the Bride
  10. The Naked Gun 2 1/2: The Smell of fear

* the bold ones are the ones that aren't genre films as such

So 6/10 there are genre films. Teenage Mutant Ninja Turtles II: Secret of the Ooze was #13. Star Trek VI: The Undiscovered Country was #15. The Rocketeer, the aforementioned The Fisher King, Bill and Ted's Bogus Journey, Freddy's Dead: The Final Nightmare also fell into the top 50.

The previous year had Teenage Mutant Ninja Turtles and Total Recall in the top 10. Back to the Future Part III at #11. Flatliners, Misery, Arachnophobia, Robocop 2, Gremlins 2: The New Batch, Darkman, Predator 2, Child's Play 2, Jacob's Ladder, The Exorcist III and a reissue of Fantasia fell into the top 50.

Now, the original The Terminator was #21 for 1984, the original Highlander barely scraped its way into the top 100 for 1986; it was #98, right behind My Little Pony and right before Transformers: The Movie and The Hitcher. Both were hits on video. Both went from a mid-80s original to a early 90s sequel. Of course, Terminator 2 is one of the great science fiction films while Highlander II is one of the worst (at least of those wth a budget)...

But, it is strangely watchable. I'm writing tonight we'll after the film is over instead of during it. It flows quickly, if confusedly. It's still not any good. And the worst of its dialogue stands out even more. But, it is watchable. Of course, any movie seems more watchable the more you watch it. You just get used to it. Like anything, I suppose.

Still, I wish I had time to really look into why Terminator got the audience and Highlander didn't. One takes future science fiction and places it into modern day Los Angeles, the other takes medieval sword with a little bit of sorcery and places it into modern day New York. Is it America's love for guns that pushes Terminator ahead? Is science fiction inherently more palatable for the mass audience than fantasy? I love both, so it's hard to differentiate for me, hard to look at them clearly, look at them fairly. Obviously, the direction is different. Cameron is a better director than Mulcahy. I'm not sure if Cameron is a better writer than Widen. But, maybe the auteur factor matters here. Cameron wrote and directed Terminator. Maybe the charisma of the leads matters. Michael Biehn and Linda Hamilton have far more charm than Christopher Lambert. Connery's got more than any of them, but his screentime is limited. And as far as the villain goes, Clancy Brown's Kurgan has more personality but not nearly the same amount of menace as Arnold Schwarzenegger's T-800. I didn't see the original Terminator on the big screen, but I knew Schwarzenegger already from The Villain, and both Conan films. I did see Highlander on the big screen (a theater that is now a school supply store), and I knew Lambert from Greystoke: The Legend of Tarzan, Lord of the Apes. Maybe it's a bit of that, too. Lambert was lesser known than Schwarzenegger...


So, then I watched the original trailers. The Highlander trailer is both confusing (mixing glimpses of boxing, Scottish highlanders going into battle, a swordfight in a parking garage, and professional wrestling) and gives away too much (it's got Connor explaining who he is to Brenda). The Terminator trailer, on the other hand, is far more straightforward but also gives away too much... but encapsulates its plot so nicely in the end: "One came to protect her, the other came to kill her." Relative to "There can be only one," one has to wonder, one what? and then go see Terminator.

For the record, both trailers have some amazing voiceover going on.

 

 

 

 

 

And, I still haven't answered the important question. Why did the sequel to Highlander involve so much bullshit (even before its problems)? And why did Terminator not have such bullshit? Or was the initial popularity of either the reason expectations were higher for Terminator than for Highlander? Or was it even simpler? Terminator came out just in time for Halloween, and it had the scary, robot stalker thing going on. Highlander, instead came out in the cinematic doldrums of March. Of course, then you have to work backward from there, too. Release dates are not arbitrary...

But I was talking about Highlander II.

Oh well.

Comments

Post a Comment

Popular posts from this blog

la fille que j'aimera sera comme bon vin

-
Image
Phil Connors doesn’t speak French. While it might be reasonable to assume Phil does learn to play piano beyond the two songs we hear him play since this is at the point he is actually trying to better himself and affect the world around him in a positive way, the French bit is much earlier. It also comes from a bit in Rubin’s original screenplay, not with Rita but with “Tess Harper—Jefferson County Poetry Society.” Basically, it’s a clear example of Phil doing the same thing he does with Nancy in the movie; he makes stuff up to get what he wants. This is only Day 10 . He hasn’t gotten to the depression that arguably makes him realize he’s an actual human being like everyone else around him… I just realized, this also means he’s probably lying when he says, “Small town people are more real, more down-to-earth.” Later, he might actually believe it. But, at this point, each line is just a move to win over Rita. Anyway, in the original screenplay, Phil meets Tess like he meets Mary in
Read more

i've seen it over a hundred times

-
Image
As I write this, it’s Day 2 for Phil Connors on the DVD and my daughters are in the kitchen making a cake to celebrate Day 100 for me... photo should be below. The movie Phil had seen over 100 times (or so he tells Laraine) was Heidi II . It’s a “family classic” according to the Alpine Theater’s marquee. But, as I’ve mentioned before, it doesn’t exist. Originally, the movie that Phil could see every day if he wanted to do so was It’s a Wonderful Life . Danny Rubin’s ego—and this is his suggestion, not mine—made him believe Groundhog Day “a timeless quality and had the potential to become a film that could work for audiences for a very long time.” So, he put another such film on the marquee. But, “even believing that Groundhog Day was a potential classic, [Rubin] never was thinking of comparing it to It’s a Wonderful Life “— (I’d say putting that title on the marquee was Rubin deliberately comparing the two, but maybe that’s just me.) . Rubin continues: “But the similarities bet
Read more

the wretch, concentred all in self

-
So, Rita thinks Phil’s defining characteristic is his egocentrism. At the point in the story that she quotes Sir Walter Scott, it’s Day 4 for Phil (See the previous entry for a list of Phil’s days) and I wouldn’t argue that he isn’t egocentric. He’s still a jerk, taking advantage of his situation for fun. He’s manipulated Nancy for sex, has gone out on his costumed date to see Heidi II with the woman in the French maid costume. He’s just figured out the whole lack-of-consequences side of things with the help of Ralph and Gus. And, he’s sitting around loading up on, well, probably every dessert the Tip Top Café offers. His focus at this point is very much himself. But, a closer look at the lines Rita quotes got me to thinking, is Phil the man unsung by minstrels because he’s too self-centered? What Rita quotes is some lines from Canto VI of Sir Walter Scott’s “The Lay of the Last Minstrel.” The larger poem involves some clans at war with one another, but this particular section invol
Read more