the groundhog day project

Tonight--not that this was ever a part of my childhood--I've got the commentary track playing on Meatballs . Director Ivan Reitman and writer/producer Daniel Goldberg. They might not say anything interesting. I'm going in blind. Opening scene was a pickup. I've already read about the stuff in Tripper's cabin, and Tripper's announcements were done after most of the production. Sidenote, as I maybe figure out what they're rambling about regarding casting Bill Murray: the "sombrero" Tripper gives Rudy later is visible on the wall early in the film. And, it's got me thinking about props. But, not hat props. I've had a problem recently with photograph props. For example, I saw The Snowman today--it's not awful, but it is quite lazily and haphazardly edited--and noticed that Harry's (Michael Fassbender) counter has this picture frame with five photos, him and his ex and her son. And, the photos look like they were all taken at the same e...

I never got to the point I wanted to make yesterday . It's difficult, really, to demonstrate how Into the Wild doesn't (quite) romanticize Chris McCandless' adventure just by looking at how he leaves his parents and his sister behind. His parents are not portrayed as good people that we might care about when they hurt. We can objectively understand that they are in pain, but we just might not care (even if the film does make the effort of framing the film with the parents in pain, Billie in the opening scene, Walt just before the ending. And, Carine--she tells us that she understands her brother's choice to leave. In reality, she explicitly knew that he was going to separate himself from their parents, though she didn't know what he was going to do. In her book, she shares a letter he sent her, which included this: "I'm going to completely knock them out of my life... I'm going to divorce them as my parents." What I think really serves to de-ro...