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Showing posts with the label curse

today is tomorrow

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With action movies, it's easy. With courtroom dramas. Even with romances. If--and if they had, this movie would have probably been quite forgettable--they had gone ahead and filmed the scenes with Stephanie DeCastro , maybe it would have been easier. But, what makes Phil's situation so hard is there is not clear victory to be had, no simple solution. Chasing after Rita is not dictated by some Fairy Godmother or Magic Mirror. Phil's situation is both entirely his own doing and entirely not. It's simple. It's complex. It's unsolvable. And, eventually, it solves itself. Like life. If you're lucky. If the social and cultural and political and ethnic and racial rolls go in your favor and circumstance doesn't set you as an example for everybody else. The thing is, however silly bullshit American Dream lines feel all too often-- you can accomplish anything if you just put your mind to it , you can be anything you want to be and all the similar lies we tell...

maybe it's not a curse

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Von Franz (1980) states that redemption in fairy tales should not be viewed as having "religious" connotations, but has to do with becoming "restored" after having been cursed" (p. 7). Such fairy tales do not dwell on the problem, but on the redemption process, making them relevant in therapy and healing (p. 8). The process is reminiscent of Phil Connors' situation, which is never overtly explained, his story focusing on his process of recovering his humanness and fellow-feeling which appears to lead his "curse" being lifted. (Benesh, 2011, p. 33) This is why I put a pink tab labeled "self-cursed"--just in case you're paying attention, I think I said the tab was on page 34, so I'll explain: I printed Benesh's dissertation two pages per sheet. I mean, the things 131 pages long. If I could cut the paper count in half, I would. Similarly, the second revision of the screenplay is printed two pages per sheet... I mention this no...