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not everyone follows those ideals

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And then I skipped the scheduled film for a day because 1) I can and b) it will line up better with March 2nd being a Groundhog Day day. Instead of watching High Road to China again and try to justify its stakes, I am watching a horrible film that I have never seen in its entirety before. (I have seen parts of it online, particularly because Red Letter Media did an entire "Best of the Worst" episode about it. The film is Suburban Sasquatch . It starts with bad acting and lazy filming, and then the Sasquatch arrives and hilarity ensues. But, not on purpose. The hilarity is these two getting killed. Then insert a badly animated CGI hawk and a (supposedly) Native American woman, Talla (Sue Lynn Sanchez) who is going to do battle. The details are vague. Insert cops, Steve (Juan Fernandez) and John (Dave Bonavita, who also plays the Sasquatch). And a reporter, Rick (Bill Ushler). The cops mention nearby property development and we should know right away there is an environ...

charades, and pretty lies

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I was going to start today's entry with a note I neglected yesterday: the first Grease does have one beat that the sequel doesn't--while Sandy changes for Danny and Michael changes for Stephanie, Stephanie doesn't change at all for Michael, but Danny does at least try to change for Sandy. He tries out for varsity sports, tries to clean up his image. It doesn't really take but Sandy's change covers the distance between them enough to make up for it. Stephanie, on the other hand, gets away with not even trying, yet Grease 2 almost feels like it wants us to see her as a feminist icon of a sort for the 60s setting, whereas Sandy was a good girl from the 50s until her makeover. I was going to argue, counter to the obvious point I made yesterday--that the message of both films is a bad one--that taking as singular instances, they're not so bad. If Sandy wants to change for Danny, that's on her. If Michael wants to change for Stephanie, that's on him. But, ...

the true burden of all masters

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SPOILERS. Let us just get that out of the way immediately. I do not aim to SPOIL specific elements of the latest Star Wars but, inevitably, a meaningful discussion about The Last Jedi will entail SPOILERS. (Also, I saw the movie last night and again this morning, and by one of the only rules I have for this blog, I must write about the movie today (or never focus on it at all). (At least until I see it again... Which, given my multi-day thing with The Force Awakens --which you really must read because it was fucking amazing--arguing against claims of all its plot holes (and you can find those entries here and here , but also and especially here , here , and here ) and the usual practices of nerds on the Internet (which, on a typo, just autocorrected to internment and I almost wanted to leave it because that feels so damn appropriate sometimes) I expect I might be forced into this film again later. But just in case...) Again, SPOILERS are coming. I'm already involved in ...