the groundhog day project

At the emotional climax of the film, Caldwell gets drunk (off very little alcohol) and sits with Maclure on the roof of Maclure's building, and he has a poorly-written but fairly well-executed monologue as part of his conversation with Maclure: Maclure: Sometimes I think it was easier winning that medal than wearing it. Think any of those people over there give a shit about us? Caldwell: Do we give a shit about them? That's what matters. You know what I think? I think America is like a big fancy house. And we're the Doberman Pinschers.  Maclure: Doberman Pinschers?  Caldwell: A guy hears a noise downstairs, he's really happy to have his big ugly dog. But, the next day when he's got his friends coming around, he locks up the dog. Why? 'Cause he's embarrassed. But at night, sure as shit, he unlocks the dog to protect his big fancy house. If some guy comes in and the dog doesn't bite his ass, he's gonna take a rolled-up newspaper and smack h...

The Presidio begins a little oddly--like the filmmakers didn't know how to do a cold open. Some obligatory San Francisco skyline shots, the Golden Gate Bridge, a military march past a stage (with Sean Connery up there because we need to be reminded he's in this movie like we didn't see the trailer and choose to see this in the theater... Or maybe we didn't watch this one until it was on home video; I can't remember. I know we saw Big Business in the theater and that was this same weekend. Given that we went to the second-run Academy Theater a lot in the late 80s, maybe we saw it there. But, my point is, until it's on cable much later, no one is turning this movie on and not knowing that Connery is in it. So, the film would be better served pulling a cold open with the dark foggy night, the MP coming upon a robbery and getting shot, the car chase, instead of wasting time on) basically a bunch of pointless establishing shots instead of getting to some action...