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we moved here for a change of heart

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From the opening--slightly out of place--smoke-filled conference room scene, there's a sense in Funny Farm there's a sense of a man in need of a change. I mean, taking the film far more seriously that it takes itself, anyway. Andy Farmer worked at a newspaper and somehow got a $10,000 advance on the novel he has written none of thus far. But he and Elizabeth are moving to the rural town of Redbud.. Judging by his old convertible, he has been doing pretty well for himself. But, still the film paints him relatable enough. Doesn't matter if you specifically relate to Andy's writing dreams. All you need to relate to is the need for change, any change. The idea that you could move somewhere new, buy new furniture, new clothes, get a new job, find a new significant other, and that will fix your own problems. We can only guess what Andy's pre-existing faults are. Played by Chevy Chase, we can assume he's a casually sarcastic asshole, but just funny enough th...

yeah, well, so were my parents

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You know what movies made more recently that are set in the 80s do wrong? They only use the famous and obvious music. "Bit by Bit"--the opening song for Fletch (not to mention Harold Faltermeyer's music) has a definitive 80s sound. Seriously, that song starts and I'm there in the 80s. Just like a lot of the music in Better Off Dead... or Say Anything . There's not a lot of music you'd still hear about on these soundtracks, but if you were there, watching these movies at the time, you've got sense memory of all of them. Me--I'm back in the 80s again when I watch movies like this one. End of May, beginning of June, really. Last weekend, we saw Rambo: First Blood Part II and A View to a Kill . Rambo was #1 last week and will be again this weekend. Fletch will be #2 this weekend. #4 is Brewster's Millions ; we won't see that until it's at a drive-in with A Nightmare on Elm Street a month into that film's run. Whenever that would be...

the warm embrace of kith and kin

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Considering Clark Griswold was supposed to be a little more forceful at Wally World and hijack the plane home in the original film (before details were changed), his aggressiveness on the road at the start of National Lampoon’s Christmas Vacation fits the character. It’s not in any way a realistic take on a human being but for Clark Griswold it makes sense. He’s more of a cartoon character. But, I don’t want to start my week of Christmas Vacation getting into Clark’s character, though I may get into that later; I want to talk about Christmas movies. About Christmas. About meaning. Home Alone is a modern classic among Christmas movies, but it’s barely about Christmas; it just happens to occur around the holiday. Even more so, Black Christmas . The question then is what is Christmas about and, more importantly, what should a Christmas movie be about? Let us jump past the obvious Christian aspects and the obvious pagan aspects to deal with something I think is bigger: capitalism...