the groundhog day project

Explorers opens with Ben asleep with his TV on ( War of the Worlds is on), dreaming about flying over a Tron -ish circuitboard reality. He wakes and frantically draws a piece of his dream. Then he calls up Wolfgang to talk about it. As you do. A good dream. A good movie. You gotta share with someone, gotta talk about it. Or at least I do. This blog is some of the obvious evidence. The Junior High the boys attend here is Charles M. Jones... That is, Chuck Jones, the cartoonist. Not the name of the High School where they filmed, but chosen deliberately. Because the cartoon reference matters. This is a movie about creativity and imagination and I just found out that Wolfgang's house is not far from where I'm writing right now, and I love that.           This Island Earth is the next movie we see, after some science fiction magazines and books. But, per the movie later, the island is not isolated. Like the immigrants in yesterday's An American Tail

In 2000, Fievel Mousekewitz was named an official icon for UNICEF for "promoting worldwide understanding and friendship among children." However much Roger might have dismissed the movie for being too depressing— he wrote, among other complaints, "The movie has such vague ethnic grounds... that only a few children will understand or care that the Mousekewitzes are Jewish. And few of those are likely to be entertained by such a tragic, gloomy story. —the film not only performed well—it was #2 behind Crocodile Dundee its opening weekend and #18 at the box office for all of 1986 (and it didn't come out until November)—but has also endured. A few sequels, a couple video games, a comic book, and some nice retrospective articles years after release. Regarding the latter, for example, Dave Trumbore, who credits An American Tail as the first film he saw in a theater, writes for Collider , 21 November 2016: What I once regarded as a darkly serious and sometimes sil

I have not watched many kids films for this blog. Even when going through movie fixtures from my childhood, there were a few child-friendly films but few made primarily for kids. Today, though, we've got An American Tail and I do not recall the last time I watched it. Once upon a time I loved this movie and had all the lyrics to all the songs memorized. As I wait for the first song, I get sidetracked by the history. After the assassination of Tsar Alexander II, some blamed Jews, and a series of pogroms followed. The Cossacks attack the town of Shostka because there are Jewish families there. The Mousekewitzes are just one. And, oh shit, I had forgotten that "There Are No Cats in America" begins with Papa explaining how his parents were killed. Damn, kids movie. And then other mice tell their sad tales in between joyful choruses. And, already I'm imagining the way a movie like this influenced me when I was just 10 years old. Refugees just looking for

Waiter coded gay. Fritz a condescending ass pretending he's looking out for JC's interests. And that's where the sacrifice conversation begins. At the end of the film, JC insists she still doesn't want to make sacrifices, and yet she has already made most of the sacrifices that Fritz is talking about. She has a kid, has a house to look after, has a growing business. I don't remember if we see them, but she's got to have employees. Is she going to talk like Fritz later with her female employees? Steven doesn't like JC dreaming about a vacation home and sex with him takes seconds and he calls it incredible when she is clearly not at all satisfied. Feminism in the 80s still loves capitalism. JC's problem, Baby Boom would have us believe, is not her work ethic, even though 70-80 work hours a week will not fit with having a child. And JC is not satisfied with Vermont. Hughes rejects JC ostensibly because she has a child (but really because she bro

Opening narration: 53% of the American workforce is female. Three generations of women that turned 1,000 years of tradition on its ear. As little girls they were told to grow up and marry doctors and lawyers. Instead they grew up and became doctors and lawyers. They moved out of the "pink ghetto" and into the executive suite. Sociologists say the new working woman is a phenomenon of our time. Take JC Wiatt, for example. Graduated first in her class at Yale, got her MBA at Harvard. Has a corner office at the corner of 58th and Park. She works five to nine, makes six figures a year, and they call her the Tiger Lady. Married to her job, she lives with an investment banker married to his. They collect African art, co-own their co-op and have separate but equal IRA accounts. One would take it for granted that a woman like this has it all. One must never take anything for granted. Of course the narrator will not return; it's one of those openings. Plus, you know, the usual b

Under the opening titles, as Patti LaBelle sings "Something Special" we see different women in different outfits, in blocks that never show the whole person. Parts of women, parts of outfits, earrings, eye makeup, and yesterday (because I had completely forgotten the acting class angle of Outrageous Fortune , I thought for a moment this was going to be about women working in fashion. But no. Cut to theatrical fencing class and Lauren is, to put it mildly, overeager. And we learn that her ambition is to play Hamlet. Cut to dance class. A gay guy who asks her out "to do some serious research" and she turns him down. Cut to Lauren and friend talking about not dating actors. They find the flyer for Korzenowski's workshop. Cut to Lauren outside her parents house in need of money. And I find myself confused because she could just do her own production of Hamlet with the $5000 her father gives her. And, Lauren's idea that Sandy can't go into an audition for