the groundhog day project

I turned thirteen the year after Josh did. He got the big city fantasy, the cool job (though inside two months it's feeling less cool by the time he leaves), the girlfriend who (eventually) plays along with his childish ways, the great apartment with the high ceilings and open spaces (I wanted Josh's apartment so much when I would grow up. I mean, how could I not think about the things I would want as a grown up when I'm watching this movie. I've said in this blog time and time again before that when I was younger I didn't think too seriously about the future, because, you know, late - Cold - War World War III fears coupled with cult leanings into the end of the world meant I was bombarded regularly by the idea that I would never actually have to adult. Certainly wouldn't grow up to have some corporate job, fun or not. And, I was a sad, overweight, late - bloomer, so the idea of a girlfriend who put up with my shit or not -- that was a bigger fantasy than most...

There is a detail I love in Josh's carnival ride tragedy: though he is distraught at being too short to ride, Cynthia, the girl he has a crush on (who is there with another boy... who drives ), immediately says the height rule is stupid. She stand s up for Josh even as he is already too stuck in his own short - person head to notice. He Charlie Brown walks through the carnival and finds himself in front of that fateful Zoltar machine. And our setup is complete. He is a kid with chores, and a crush on a girl, and when he dares something scary -- and I went on a ride like the loop one he tries at a carnival once, and it was pretty frightening -- and gets close to that crush in line, everything falls apart. Hi s whole world comes apart, really. And, then gets twisted by magic into something else entirely. And, at the other end of the film, the trick is that it is not rejection that pushes him to change back, but something like the opposite. Billy brings him the location of the...

Funny Farm is not even on tonight and I've got a little more to say about that film. Because, it feels recently as I get to the movies in the later 80s, I end up wanting to fix them (like Bloodsport ) or defending them inordinately (like Willow ). And, Funny Farm is just too easy to pick apart. So many scenes just happen for no reason, no connection to other scenes, just to get to a punchline. Characters decide they like the small tow n just because. I mean, imagine that Elizabeth's book inspires Andy to rewrite his and make it better, or reading her fictional version of him inspires him to fix his life, befriend the locals, and figure out how to actually live in Redbud instead of whatever permanent vacation he thinks he's on... But, I digress because Big is on tonight. And, right away Josh has more personality and more motivation than Andy had in the entirety of Funny Farm . And, Tom Hanks' physical comedy is far better than Chevy Chase's. He doesn't ...

Phil Connors is not a werewolf. Let’s just get that obviousness out of the way. He is, however, quite a bit the adolescent, going through some changes that are, if not physical, quite significant nonetheless. (By the way, the last recap post here was Day 792 - time for the big bachelor auction .) I think I started referring to Phil’s hedonistic ventures in act two of Groundhog Day as his “adolescent” phase after Harold Ramis described it that way in his commentary track . But, it’s more than just good shorthand. (After that last recap, I drifted into horror films for October... like so: Poltergeist - 793 794 795 - and its remake - 796 The Shining - 797 , Room 237 - 798 - then back to The Shining - 799 - and its TV “remake” - 800 The Omen - 801 802 Damien: The Omen II - 803 The Final Conflict aka The Omen III - 804 The Omen (remake) - 805 Re-Animator - 806 Crimson Peak - 807 Hellraiser - 808 809 810 Hellbound: Hellraiser II - 811 812 813 Hellra...