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Showing posts with the label pixar

and yet, here we are

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No childhood film today. Busy day of kitchen cleaning and map drawing. I did see a movie today-- Coco . Not sure if it was great. It was good, and definitely affecting. And it had an interesting message--combining both the idea that you should follow your dreams and family is important. In context, these feel like two different directions--SPOILERS--for a good portion of the film, but then they pull together and it all gets wrapped in a little bow. And, it got me thinking about family. Now, on the one hand, I haven't spent much time with most of my family in the past year. I'll be honest about that. The likelihood to get into a political argument has made hanging out with them less appealing. I'm talking about my parents, some of my sisters. But, it's worth noting that, for example, in many of the fictional stories I have written over the years, family was something constructed more than inherent. You choose family like you choose friends. Except you don't reall...

slow down and obsess over the weight of life's problems

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I've written before about Inside Out . In my other, less regularly updated blog, of course, but I still wrote a basic review. So, we'll skip past that. (For context, I've seen the movie a couple times already. Tonight was a special screening with Q&A with co-writer Meg LeFauvre courtesy of Jeff Goldsmith (same as The Danish Girl last week. Saer went with me and something she said about how the parents in the film are annoying actually got me thinking...) Structurally, Joy (Amy Poehler)--and to a lesser extent, Sadness (Phyllis Smith)-- is the parent for Riley (Kaitlyn Dias). Mom (Diane Lane) and Dad (Kyle MacLachlan) are important in the overarching plot, of course, but ultimately they don't do anything special for Riley, they don't really affect the plot except inasmuch as the move to San Francisco triggers what would otherwise be a pubescent change, and none of the emotional beats belong to them; even that bittersweet core memory hug at the end of the fi...

i'm so glad you're not a dinosaur

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In the past 24 hours, I've watched Toy Story , Toy Story 2 and five Toy Story shorts (don't know the proper order, but they are the three "Toons" Hawaiian Vacation , Small Fry and Partysaurus Rex ; Toy Story of Terror! and Toy Story that Time Forgot ). For the record, I have never seen more than a couple minutes of the Buzz Lightyear of Star Command cartoon. Right now Toy Story 3 is playing. The "end" of the feature story, of course, leads into those shorts; they are all set after the toys become Bonnie's. Still, it is an ending of a sort of the story of these toys. (Those shorts focus more on other characters more than, say, Woody or Buzz (except Small Fry ) or Jessie (though the climax of Toy Story of Terror! does depend on her). Instead (taking the order above), they focus on Barbie and Ken (minor nitpick: Barbie and Ken stay at Sunnyside at the end of Toy Story 3 , so they really shouldn't be with Bonnie's toys), a fast food restau...

watch one of these again

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When Toy Story was released in theaters, November 24, 1995, I worked at a movie theater--the United Artists Marketplace in Old Town Pasadena... which doesn't exist anymore. I remember one of the ushers complaining about the tagline "The Toys Are Back in Town" being inappropriate for what was not sequel. I don't know how many times I've seen this movie, but I saw parts of it several times a week when it was in the theater. That happened with a lot of movies in the seven months I worked there. Also, since our theater had a deal with another theater a block away we could arrange to see movies for free at either theater. Except for the midnight premiere of Batman Forever , which I arranged somehow, we weren't supposed to use our free movie privileges to see "busy" screenings. (And, don't even get me started on the mess that is Batman Forever , except to say that watching the beginning of that movie and the end of that movie time and time again whe...

a sad, strange, little man

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I wanted to write about masculinity and identity--Woody's and Buzz's conflicted relationship as a sort of testosterone-fueled contest, who can more fully fill the role of man . I wanted to tie this back into identity and how Buzz being all alpha male even when he doesn't really know who he is effectively reifies a notion that all is nature... and I wondered if that was reassuring or damaging. Or if I actually do read too much into things sometimes... Meanwhile, I just paused to check the photos on the wall by the stairs in the Davis household. I didn't see any picture of a couple. Nor on the mantle. Andy's mother is inexplicably single... And, that sounds like it's shocking or unusual, but I meant, literally, we are not offered explanation. Anyway, I noted out loud that there's a theory that Andy's father has died (Actually, the theory is about he and Andy's mom going through a divorce but I guess I conflated the two ideas in my head... but don...

the dolls must really go for you

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Clearly, Toy Story is built around the whole "buddy picture" sort of structure, but that's close enough to the romance genre, specifically romantic comedy, that I figured it's time to share this: For the record, I did not draw that. It was drawn by a deviantart user who seems to be named May Pong, lives in Brunei. And, if seeing Buzz and Woody kissing like that bothers you, you really shouldn't read the rather brilliantly titled "And Beyond" by Kass , a fanfic in which Woody realizes he has fallen in love with Buzz and Buzz overhears him breaking up with Bo Peep and one thing leads to another until eventually, Buzz plays with Woody's pull string and Woody pushes Buzz's buttons. Seriously though, I think there's more to it than some playful imagining or adolescent fantasy. (And, I'm not suggesting that Toy Story is feeding into homosexual references like, say, Planes, Trains & Automobiles , even though Woody is clearly jealous b...