the groundhog day project

Derr (2013) argues "'feminism' is not simply the absence of 'sexism'" which is good news for American Psycho , directed by Mary Harron and written by Harron and Guinevere Turner. Even though it's satire, it is difficult to suggest that American Psycho -- (For the record, unless I say otherwise--and I might later--I am referring to the film, not Bret Easton Ellis' novel. I have never read more than a few pages of the novel once upon a time in the 90s.) --is not chock full of sexism. Still, Harron has defended the film as feminist. von Busack (2000) argues though, " American Psycho is feminist only at the level that it suggests that men can be vicious and selfish..." (von Busack smartly critiques the film version by pointing out that the satire of the novel gets its power from being close to the 1980s--the novel came out in 1991--and "The only way to give American Psycho teeth would be to set it in the present. We can mock the fashi...

I Patrick Bateman (Christian Bale) is like any other 1980s alpha male. Only more so. If that makes sense. His drives are the drives of men in business, men on the prowl for women. He's the bastard child of the men of Mad Men , the contemporary of the men of Wall Street and his generation bypassed the problems of John Rambo or Tyler Durden--two different angles on emasculation. Patrick Bateman, as capitalist extraordinaire, would never put up with emasculation. He's too territorial for that. He'd sooner kill you than let you even attempt to take away his power. Maybe that's exactly the same situation as Rambo or Durden, except Bateman has money. He doesn't need to hide behind anonymity or an alias because his name has clout. But, I'm interested in something else about American Psycho . Patrick Bateman is also interested in brand names, owning the right things (far from Tyler Durden). But, then there's a problem; see, I'm reading on the trivia sectio...