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Showing posts with the label grand seduction

every consequence of happiness

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I forgot to mention yesterday that I was writing from the plane. It was a very long travel day, a couple hundred miles by car, a couple thousand or so by plane. I had intended to look over the blog entry before I posted it but by the time I was home, I was far too tired. I can barely remember what I wrote, some rambling about Murray and his wife, Murray and Paul, Paul and his fiancee, Paul and the postmistress. I think I might have said that these men of Tickle Head wanting to bring the oil company to their town just to have a good paying job was a bad thing. Well, maybe I didn't say it, but I feel like I implied it. I do sort of side with the postmistress--her name is Kathleen, by the by. She rejects the idea of the factory coming to Tickle Head specifically because it's the oil company. Sure, it's a "petrochemical repurposing plant"--essentially a recycling plant, but just a PR thing the oil company is doing--but it's still "the oil company", sho...

it's your civic duty

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The Grand Seduction , like any movie—seriously, read back through this blog and you’ll see it time and time again—tells us something about gender, gender roles, gender expectations; and it also tells us something about living in a conservative, capitalist world. These two things twist together in the subplot involving Brendan Gleason’s Murray and his wife. We learn right away he is not only cashing his own welfare check, he is also cashing the check of a dead friend—he insists that as long as that friend remains on the government books, he has an moral duty to keep cashing those checks (and he has “power of attorney” paperwork, though it’s not clear how legal that paperwork is). Still, he wants to work. That’s the world in which Tickle Head exists, a world in which everybody (even the characters who seem much too old for factory work) would rather have a job—even an oil company job—than welfare. We’re presented Murray and his wife as a sort of counter to the flashback to Murray’s chi...

right now, lies is all we got

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Take a bit of Waking Ned Devine , some Doc Hollywood , a dash of Funny Farm , some themes left over from the likes of Brassed Off and The Full Monty and Billy Elliott (with those last two, I do not mean the dancing or the stripping) and you've got The Grand Seduction , an English-language remake of the French-Canadian Seducing Doctor Lewis . It's the simple story of a small town... village... "harbour" lying to an out-of-town doctor to convince him to settle there so an oil company factory will also settle there and the locals will all have jobs again. The film begins and ends with nice down-home narration about the importance of hard work--and the sex to be had at night when your tired, which, with at least one local woman, has amounted to a few too many kids. (Anyone who has seen the film might note a mistake there. Since the past seven years in town have been mostly everyone collecting welfare checks because their fishing industry dried up, that woman has not ...