she is mine
Freud will have to continue a little bit for a couple reasons: 1) there is bit more to say about Freud before I inject some Lacan and 2) I realized that Mulvey doesn't include Jung, so in terms of my paper not being a research paper but an analytical piece based around the supplied readings, I shall leave Jung out of it... even if there may be useful things to say; for instance, much of what Mulvey is trying to argue about how Freudian psychoanalysis connects with common cinematic representation fits with the Jungian idea of the collective unconscious . Effectively, however much a filmmaker intends to put psychoanalytic concepts into a film, they go in anyway. And, even divergent concepts, arguably, exist within film not necessarily because a filmmaker may deliberately be trying to diverge from the norm but unconsciously. But anyway, Freud... Another Freudian idea central to our experience of film, according to Mulvey, is scopophilia , looking as a source of pleasure. The voyeu...