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Showing posts with the label wonder woman

who are you? what can you be?

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(A note before this gets perhaps a little philosophical... Was it my sister Brooke who once commented in regards to an early Groundhog Day Project entry that I had a self-help book in me? I've toyed with writing a sort of self-helpy, memoiry book out of that first year of the blog. I even wrote a good chunk of what might have been the first chapter last fall. But, I don't know if I believe it anymore, myself--that there's a self-help book in me. Or maybe I don't want there to be... That wasn't the note. The note is this: I didn't really plan out this month of feminist and/or female-centric films. I immediately had an idea of a few movies I had to include-- Thelma & Louise , 9 to 5 , 10 Things I Hate about You --for a little obviousness and a little variety. And, I wasn't sure what movie should come last, like the coda to the rest. What movie would tie things together before I returned to Groundhog Day again for a day then moved onto some new month I ...

doesn't make me madonna

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Tess' McGill's obvious sins in Working Girl are being ambitious and knowing more than the men around her. In the 80s business environment, that is just not how it's supposed to be. Recently, Pamela Falk at CBS News reported that when Wonder Woman was named an honorary UN ambassador for women's issues, "some complain[ed] about her sexualized appearance." On CBS This Morning , Wonder Woman director Patty Jenkins "addressed the criticism by some that a supposed feminist icon like Wonder Woman can't also wear a sexy, skimpy outfit." She said: I think that that's sexist. I think it's sexist to say you can't have both. I have to ask myself what I would apply to any other superhero. This is fantasy and it's not for anyone other than the person having the fantasy. I, as a little girl, like took a huge amount of delight in the idea that for my power and my ability to stop that bullion that playground, I could also look like Lynda Cart...

ours is the power, now is the time

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Stephanie Abraham explains (specifically coming back to Wonder Woman but the same applies for any film labeled as "feminist") in blog at Ms. : Now that the female superhero has finally made it to the big screen, critics and audiences are asking whether Wonder Woman is a feminist film. But the question itself is problematic. For one, it makes "feminist" a subjective adjective. Also, it suggests there's a monolithic Feminism, when really [the] feminist movement encompasses numerous feminisms in motion. The more inciting questions are: How does this film represent Wonder Woman? What's missing from this representation? And, what does it say about this particular moment in time? I especially love that last question. It's why every film can be taken as political. Every film is of its time, regardless of its subject matter, regardless of its setting. Every film can tell you something about the particular moment in time in which is was made, in which is was...

in the world of men

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Let's see... Fox News Anchors Concerned This Wonder Woman Isn't Wearing Her Star-Spangled Underwear Why 'Wonder Woman' is less American than ever Wonder woman, feminist icon or bodacious fantasy figure? Let me echo Benesh (2011) before I get into this: ...according to Izod, after the film, "active imagination takes over and develops the recollected cinematic imagery by fusing it more completely with personal fantasy material. In the process, both are liable to change" (pp. 273-274). Thus, for viewers... An imprint remains as during the film the audience members "introject" or take in its psychic content including symbols, images, and narrative, as well as projecting individual personal concerns. After the film, if it is particularly "resonant," the process continues as the film "plays on" in the viewer's mind. A personal "edition" of the film is thus created and is assimilated into the psyche of the viewer. ...

find cover, my lady

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The question for today is this: how do you measure a film's... Worthiness? Greatness? Must it be objective, or is the subjective as or more important? See, today, I saw Wonder Woman . (And, right now, I've got Groundhog Day playing because it's the 2nd of the month, but I'm not sure how much I might say about that film tonight. Additionally, I should probably get around to a recap entry sometime soon, but that won't be happening tonight either. Also, I'm starting to have ideas for themes for upcoming months. I think this blog might be here to stay for a while. At least until, say, August 1. That would make it three full years. But anyway, Wonder Woman ...) First, a story from just after the film. See, I'm thinking about stuff I might say in this blog all through the movie, and I'm trying to figure out how to get into the subjective versus objective thing. I mean, there's the obvious (and oft repeated here) bit from Benesh (2011) about how every...

put himself before the rest of the colony

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The past week here tied together around The Magnificent Seven (it's original and it's remake) and A Bug's Life , and I didn't expect it to bring me to the place I am today, to the rant I expect to get into in a moment. See, here's what the last few hours of my life were like. I had A Bug's Life playing while I was working on stone stuff on the computer, figuring on writing a nice casual blog entry later, wondering what I will do tomorrow between Wonder Woman and it being the 2nd, which means I should be watching Groundhog Day . Then, I turned on Trump's speech about pulling out of the Paris Accord (with an introduction by Trump's official MC, Vice President Mike Pence, and followed by today's Trump Cheerleader Scott Pruitt offering up a bunch of rah rah bullshit). Then, I turned on the soundtrack to the Groundhog Day musical and made some tea to improve my mood. The ants (and the grasshoppers) in A Bug's Life were written and performed by ad...