the groundhog day project

As National Lampoon’s Christmas Vacation begins for the last time tonight, I want to enjoy it. I want to find the family interactions inside this package endearing and pleasant. There are moments that achieve this. Audrey’s support of her father when his lights fail, for example. Clark’s conversation with Ruby Sue, for another. Clark hugging everyone after the lights work comes close, but he (and the scene) overdoes it. The question is not, for now, what is the meaning of Christmas or what is the meaning of a Christmas movie. Rather, what do I want out of a Christmas movie? The problem in answering this one is that I am not the audience for Christmas movies. Most any year, if a Christmas movie comes out, I won’t go see it. Most of them are nice, wholesome, family-friendly comedies, stuff like Jingle All the Way (haven’t seen it), Home Alone (saw it in the theater, seen it many times since), Elf (watched it once on DVD, was entertained but not particularly moved), It’s a Wonderful...

There’s a formula John Hughes uses when it comes to making the despicable characters seem not so bad as the story goes—he provides somebody worse. In Dutch , for example, Dutch Dooley was a horrible guy, but at least he wasn’t as arbitrarily uncaring as Doyle’s father. Similarly, in Christmas Vacation , Clark’s (and the movie’s, really) reliance on money and capitalism in defining a good Christmas sits next to those yuppies next door. There’s nothing to like about Todd and Margo, right? The thing is, there’s nothing particularly horrible about them. The movie just assumes we won’t like them so all the bad things that happen to them because of Clark Griswold, deliberately or not, are justified. They’ve got money. They’re too good for Christmas trees. They’ve got fancy entertainment equipment (destroyed by the ice) and fancy workout clothes. And, worst of all, they like each other. No one should like these people. Clark, on the other hand, all around good guy, loving (and faithful) hu...

Saer is watching Christmas Vacation with me tonight. Her first comment/question: I don’t get why the intro is animated... It’s weird. As I have already compared the actions in this movie to a cartoon—Clark falling off the roof, the nuclear power plant gag, and so many others—I think the animated intro actually makes sense. It sets the audience up for what is essentially a live-action cartoon. Physics is not going to matter, if the joke works better without. For example, that chunk of ice in the rain gutter—there is absolutely no reason it should shoot out like it does, but it allows for one more assault on the yuppies next door. (More on the yuppies tomorrow, maybe.) Saer thinks the Griswolds, especially Clark and Audrey look very 80s. I told her this came out in 1989. She wasn’t surprised. Then, because I was looking at Audrey right then, I realized something—she’s wearing a beret and in European Vacation the whole family got berets (though Rusty’s was thrown off the Eiffel Tow...

(A small correction: Clark does wear the Santa hat and coat (open), but not the beard, when he goes a little crazy with the chainsaw and places the burnt gifts under the new tree.) Of course, Christmas Vacation and so many other Christmas movies should be about nostalgia. Our enjoyment of the holidays, really, is about nostalgia. Every holiday celebrates something in the past, and usually a slightly invented version of whatever that something is. But, before we even get into invented history and the celebration thereof, there’s Freud. Hutton (1988) tells us about the “lost self” which Freud believed was formed yet largely forgotten as a consequence of the psyche’s encounter with early life experience. One’s sense of identity is forged out of the behavioral patterns established through the psyche’s reckoning with particular experiences, especially those of childhood. (p. 123) Essentially, our experience of self in the present is built on our experience of self in the past. Ad...

The thing is: he didn’t. Let me back up. The final line in Christmas Vacation is Clark saying, “I did it.” But, really, he didn’t do much of anything. He went to get the tree, forgot a saw, got the tree home, put part of it inside and broke a couple windows. He wanted to prove Santa was real to his niece but even if she thought that plastic Santa flying through the air was the real thing, he didn’t do that. He put up those 25,000 bulbs but without his wife flipping that switch there never would have been any light to them. He only got his Christmas bonus because Eddie kidnapped his boss. Clark accomplishes pretty much nothing in this movie. Even his freak out results not in him getting violent (like in the original) but Eddie. Hell, he breaks a hole through the “floor” of the attic yet doesn’t climb down through it to get out. Instead, he sits in the attic and reminisces about old times that don’t really exist. That last bit is kinda the point, though. Christmas here, is just a...

Weird trivia found on IMDb : there were only two Christmas-themed movies released in theaters in 1989, this one and Prancer (and Johnny Galecki was in both); and there were three movies with animated openers that year— Honey, I Shrunk the Kids , Troop Beverly Hills and this one. The animated opening is odd. On the one hand, it gets us in the mood for a little irreverent and cartoonish humor. But, on the other hand, it, in my opinion, distances the film from Santa by injuring him and sending him flying away in a hurry. But, maybe that’s a) accidental (or at least incidental) or b) entirely on purpose to give National Lampoon some breathing room. After all, Santa doesn’t really appear in this movie except a little plastic version that Clark kicks in the face. This movie leaves Santa to the side—except for Clark’s conversation with Ruby Sue and the flight of Santa and his reindeer at the end of the movie—for something... else. Strangely, this movie does not deal as much in family dis...

Considering Clark Griswold was supposed to be a little more forceful at Wally World and hijack the plane home in the original film (before details were changed), his aggressiveness on the road at the start of National Lampoon’s Christmas Vacation fits the character. It’s not in any way a realistic take on a human being but for Clark Griswold it makes sense. He’s more of a cartoon character. But, I don’t want to start my week of Christmas Vacation getting into Clark’s character, though I may get into that later; I want to talk about Christmas movies. About Christmas. About meaning. Home Alone is a modern classic among Christmas movies, but it’s barely about Christmas; it just happens to occur around the holiday. Even more so, Black Christmas . The question then is what is Christmas about and, more importantly, what should a Christmas movie be about? Let us jump past the obvious Christian aspects and the obvious pagan aspects to deal with something I think is bigger: capitalism...