the groundhog day project

Drifting away from the horror film itself for the moment. Room 237 is on instead of a second day with The Shining because I think it's important to understand why we do this. Why I do this. Why you read this, for that matter. These movies--they're just movies. We don't really need all the subtext to enjoy them. I would never argue that there is no subtext; in fact, I think there is always subtext. For example, maybe it's about the Tang cans or the Golden Rey boxes over the Calumet cans. Picking one detail out of many says more about you (me) than it does about the film. Day 113 , I wrote: Why am I doing this? Because someone needed to. Because every piece of art deserves to be studied and broken down. Every piece of fiction deserves to be dissected until we know not just what it means but what it can mean. Chuck Klosterman, reviewing Room 237 for Grantland , says, "It introduces a new way to experience and consider movies." I'm trying to rememb...

In Groundhog Day , two males and one female go from the big city to a tiny hamlet in western Pennsylvania. In The Shining , two males and one female go from living in the big city to a hotel in the mountains of Colorado. In Groundhog Day , the black guy works at the bar. In The Shining , the black guy works in the kitchen. In both films, there's a blizzard, a nice old lady, a bathtub, a bar, and a holiday party. Plus, Phil gets stopped in the hallway by the Chubby Man, who is certainly large enough to contain those twin dead girls. Coincidences? Maybe. Or maybe, just like the crazy folks behind Room 237 think The Shining is Stanley Kubrick's way of admitting that he secretly created the moon landing footage, Groundhog Day was Harold Ramis' way of admitting that he secretly created The Shining . Think about it. Ramis is not known for making adaptations. Nor is he known for making horror films. So, if he were to make one from a beloved Stephen King novel, it would ma...