the groundhog day project

I remember thinking, at least the first time that I saw The Elephant Man , that Bytes' narrative about Merrick's origin (and that surreal bit at the opening of the film) was an accurate reason for Merrick's condition. But, we had a book about Merrick in our home and, while I never read it cover to cover, I browsed the text and looked over the photos. But, other than that initial confusion, I don't think I thought much of those Lynchian moments; they were distractions. I also didn't think much on the idea of exploitation ; Bytes was awful, Treves was nice--that's all I thought about that. What really mattered when I saw this film as a kid--and what absolutely shines through now--is Hurt's portrayal of Merrick. (And, primarily, he's got his eyes and his voice, and little else; the malformed head prosthetic doesn't move.) Humanizing the monster, so to speak. Something close to that we've seen in multiple movies in this childhood deconstruction so ...

What makes The Elephant Man work is that it has its cake and eats it, too, as the saying goes. The film portrays Bytes (per Treves' memoir) as a horrible man, not only exploiting but beating Merrick when he doesn't behave. (And, even beats him when Merrick spends the day with Treves with Bytes' permission; the film's version of Bytes is that jealous.) Bytes putting Merrick on display is shown as a bad thing. But, Treves does the same thing. The film lets Treves off the hook because 1) he doesn't beat Merrick (though, in reality, neither did Bytes) and 2) he realizes that he's doing the same thing and questions if it is right... But then he keeps doing it, plus 3) even as Treves continues to make a name for himself on the back of Merrick and Merrick is the talk of the upper class, the film offers up the night porter, Jim (Michael Elphick), who is making money off of bringing lower class folk to see Merrick in his room, which is easily worse than what Treves is d...