the groundhog day project

Not too long ago I wrote about Groundhog Day as a religious film . That is to say, I discussed how folks of different religions see the film as exemplifying their specific belief systems. And, notably, when I cited Michael P. Foley's "Phil's Shadow" , I dismissed almost out of hand his suggestion that when Phil looks up after O'Reilly dies in the alley, he is looking to God. Specifically, what Foley says is this: But Phil’s conviction evaporates once he is forced to acknowledge the inevitable death of an old beggar whose life he repeatedly tries to save. In the final scene of this subplot, he is kneeling down, vainly administering CPR to the man, when he stops and plaintively looks heavenward. And in an unrelated moment, he indirectly acknowledges God as Creator by reciting the verse, “Only God can make a tree.” God alone, Phil learns, is the Lord of life and death. Now, I think it's presumptuous to link the mention of Joyce Kilmer's "Trees" ...

Recently, I made the argument that a) there is no inherent meaning in things and b) we make meaning by finding/manufacturing it. And, obviously, I’ve found plenty of (and presumably manufactured some) meaning in Groundhog Day or this project would have already been done and lamentably forgotten. And, plenty of people have found not only meaning but personal meaning in the film. And, by personal meaning, I mean they don’t see it as some obvious screed with its own message but a message befitting of their own personal beliefs. In fact, the film was featured in the Museum of Modern Art’s film series “The Hidden God: Film and Faith” back in 2003. Alex Kuczynski wrote in The New York Times : …the film “has become a curious favorite of religious leaders of many faiths, who all see in “Groundhog Day” a reflection of their own spiritual messages. Curators of the series, polling some 35 critics in the literary, religious and film worlds to suggest films with religious interpretations, found ...