the groundhog day project

I don't know if, as a kid, I realized that Ed (Eugene Levy) was deliberately fucking with Clark (Chevy Chase) in the opening of Vacation --forcing the sale on the Wagon Queen Family Truckster. Eventually, I got it, but the first time, in the theater, I think I just thought it was an honest mistake.           And, I laughed at a line I don't think I ever found funny before. Clark tells the kids about the St. Louis Arch, "the Gateway to the West. It's over 600 feet tall and there's an elevator all the way to the top." Rusty asks, "Dad, can we go up in it?" Clark replies simply, "No." Like so many vacation details, road trips past all the interesting places because you don't have the time to stop everywhere. For example, they show the sign for Gatorworld on a postcard during the opening credits. When our speech team was in Florida my last year as coach, we drove past Gatorworld, but we weren't even there for a vacation; we were t...

Considering Clark Griswold was supposed to be a little more forceful at Wally World and hijack the plane home in the original film (before details were changed), his aggressiveness on the road at the start of National Lampoon’s Christmas Vacation fits the character. It’s not in any way a realistic take on a human being but for Clark Griswold it makes sense. He’s more of a cartoon character. But, I don’t want to start my week of Christmas Vacation getting into Clark’s character, though I may get into that later; I want to talk about Christmas movies. About Christmas. About meaning. Home Alone is a modern classic among Christmas movies, but it’s barely about Christmas; it just happens to occur around the holiday. Even more so, Black Christmas . The question then is what is Christmas about and, more importantly, what should a Christmas movie be about? Let us jump past the obvious Christian aspects and the obvious pagan aspects to deal with something I think is bigger: capitalism...