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Showing posts with the label time

i want to be everything to you

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To counter the cynical side from yesterday , there is one scene that absolutely points to the reality of the whole thing, and the cosmic import of the love story at its center, and that is the opening. Regardless of what follows, that scene is real. And, Elise's arrival as an old woman is real. What makes the scene important when you take the side of it all being real, of it all bearing the import of time itself, of love itself, is that the crowd clears for this old woman. Now, maybe they recognize this old woman as the once famous Elise McKenna, but I doubt it; if they recognize her, so should Richard. (Actually, Richard's later conversation with Miss Roberts suggests that Elise may never have been as famous after 1912 as she was then; she was increasingly reclusive from then until her death.) Rather, I think they do not, but they part because there is something about this woman being in this place, something they can sense, something that has an energy itself, her mere presen...

i slept alone, mrs. lancaster

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I want to see something new tonight. It's the 2nd of the month. I'm watching Groundhog Day . Again. In the meantime, I sit here and recite a lot of the lines as they go. Not spending every day with this movie--like I did in Phase One of this blog--my timing is off with some lines, but mostly I've still got it. You know one detail from Groundhog Day: The Musical (which I have yet to see because I can't make it to New York too readily, but I listen to the soundtrack plenty) that I love that differs from the film? When Buster announced that the groundhog said, "I definitely see a shadow" and he proclaims "Six more weeks of winter", in the film, the crowd just boos. The people on stage even have signs to egg them on: BLIZZARD, SLEET, 6 MORE WEEKS OF WINTER. The crowd in the musical has a slightly different take. Sure, they boo, but then, almost immediately, they scream yay, because they're such cheerful folk they can't really be sad about t...

you don't understand this yet but people need you

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Nope, no slinky . Just nerds using science to be superheroes. Or maybe I should explain the slinky thing. Except, it's not a. Slinky thing. That name is misleading. The slinky was more important as a metaphor for big, shiny movies that more people go see. The first reason. But the second reason was really just why I chose to write about, or inspired by, Obit. instead of 2004's King Arthur . Watching Obit. I was reminded of how I used to write about obituaries early in the Groundhog Day Project . In retrospect, that came from two things: depression and one of the central conceits of Groundhog Day , the measure of a person. Which is also a necessary part of movies like the new King Arthur: Legend of the Sword , or Big Hero 6 , or The Fifth Element . Korben Dallas is measured and mankind is measured accordingly. King Arthur, especially in Hollywood films insisting on origin stories, must be measured as worthy of being king. (However, the sword-in-the-stone bit sets up a bit t...

i don't need a book to know about myself

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20th Century Women begins with an aerial shot of the ocean, then a subtitle: "Santa Barbara, 1979." Importantly, that subtitle includes the period. Narration immediately connects the present to events in the past, Jamie's father, Dorothea's husband, their marriage, his car, their divorce. Other bits of narration and voiceover later will put various characters into the context of their history but even more, late in the film, we are offered specific facts about the future lives of these characters. That the title references the time period is no mistake, of course. This is about a specific time, a specific place, geographically as well as metaphorically within these lives. This is where Jamie and Dorothea and Abbie and Julie and William are at this moment. This is what their lives are like now . Now being 1979, of course. Summer. The film even begins on Dorothea's birthday. She is turning 55. Jamie tells us about her life so far. Later, Dorothea will tell us abo...

just a distraction

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The dog gets my favorite line in Beginners . The full subtitle (because, of course, the dog doesn't actually speak) is: "Tell her the darkness is about to drown us unless something drastic happens now." I've been there. Felt that drowning sensation, the darkness, and had drastic things happen. (By the way, I'm not actually watching Beginners tonight. My Netflix was having some issues, so I moved on. #FirstWorldProblems) I've been diagnosed with depression, been offered prescriptions for medication to deal with it. Mostly, I've learned to deal with it on my own. I've gotten good at compartmentalizing different parts of my life, and I've learned to take time to do fun things. For example, today I went to the Renaissance Faire with friends with whom I play D&D. I also (in case some future reader hasn't noticed the jump in dates or some past reader is confused) restarted this blog, ostensibly as if nothing had changed. I picked up the ...